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" "Everybody of course, was like this, - depth beyond depth, a universe chorally singing, incalculable, obeying tremendous laws, chemical or divine, of which it was able to give its own consciousness not the faintest inkling… He brushed the dark hair of this universe. He looked into its tranquil black-pooled eyes. Its mouth was humorous and bitter. And this universe would go out and talk inanely to other universes – talking only with some strange minute fraction of its identity, like a vast sea leaving on the shore, for all mention of itself, a single white pebble, meaningless. A universe that contained everything – all things – yet said only one word: ‘I.’ A music, an infinite symphony, beautifully and majestically conducting itself there in the darkness, but remaining for ever unread and unheard.
Conrad Potter Aiken (5 August 1889 – 17 August 1973) was an American writer and poet.
Biography information from Wikiquote
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While the blue noon above us arches,
And the poplar sheds disconsolate leaves,
Tell me again why love bewitches,
And what love gives.
It is the trembling finger that traces
The eyebrow’s curve, the curve of the cheek?
The mouth that quivers, when the hand caresses,
But cannot speak?
No, not these, not in these is hidden
The secret, more than in other things:
Not only the touch of a hand can gladden
Till the blood sings.
It is the leaf that falls between us,
The bells that murmur, the shadows that move,
The autumnal sunlight that fades upon us:
These things are love.
It is the ‘No, let us sit here longer,’
The ‘Wait till tomorrow,’ the ‘Once I knew — ’
These trifles, said as I touch your finger,
And the clock strikes two.
The world is intricate, and we are nothing.
It is the complex world of grass,
A twig on the path, a look of loathing,
Feelings that pass — These are the secret! And I could hate you,
When, as I lean for another kiss,
I see in your eyes that I do not meet you,
And that love is this.
Rock meeting rock can know love better
Than eyes that stare or lips that touch.
All that we know in love is bitter,
And it is not much.
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You know, without my telling you, how sometimes
A word or name eludes you, and you seek it
Through running ghosts of shadow,—leaping at it,
Lying in wait for it to spring upon it,
Spreading faint snares for it of sense or sound:
Until, of a sudden, as if in a phantom forest,
You hear it, see it flash among the branches,
And scarcely knowing how, suddenly have it—
Well, it was so I followed down this music,
Glimpsing a face in darkness, hearing a cry,
Remembering days forgotten, moods exhausted,
Corners in sunlight, puddles reflecting stars—