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" "I always say I'm an escape artist, Style is something I've always tried to avoid. I'm more interested in character. Character comes out of the work. Style is applied or imposed on it.
Elaine de Kooning (March 12, 1918 - February 1, 1989) was an Abstract Expressionist and American Figurative Expressionist woman-painter in the post-World War II era. She wrote extensively on the art of the period and was an editorial associate for Art News magazine. On December 9, 1943, she married painter Willem de Kooning.
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I think there are too damn many institutions on the face of the earth as it is. Robert Graves said: 'As soon as women organize themselves in the male way with societies, memberships and rules, everything goes wrong.' I think that applies to artists, too. The artist stands for everything against institutions.. [Rosalyn Drexler reacted: 'Institutions and clear thought are opposites. You can't have one with the other']. Right! Institution to me means authority, coercion, mindlessness, bureaucracy; it means the Pentagon, the CIA, the army, organized denominational religion, prisons, mental hospitals.
Beside my own intense, multiple impressions of him, I also had to contend with his 'world image' created by the endless newspaper photographs, TV appearances, caricatures. Realizing this, I began to collect hundreds of photographs torn from newspapers and magazines and never missed an opportunity to draw him when he appeared on TV. These snapshots covered every angle, from above, below, profile, back, standing, sitting, walking, close-up, off in the distance. I particularly liked tiny shots where the features were indistinct yet unmistakable. Covering my walls with my own sketches and these photographs, I worked from canvas to canvas (the smallest 2 feet high, the largest, 11) always striving for a composite image.
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Well, first—that term, 'women artists.' I was talking to Joan Mitchell at a party about 10 years ago when a man came up to us and said, 'What do you women artists think...' Joan grabbed my arm and said, 'Elaine, let's get the hell out of here.' That was my first response to Linda Nochlin's article ['Why Have There Been No Great Women Artists?']. I was curious about how a man would react. Alex Katz thought it would be a cop-out to answer the piece. Sherman thought it would be a cop-out not to answer it. John Cage thought the question 'divisive and an over-simplification.' I agree with all of them.