Nature abhors a vacuum, say the physicists. They could complete their axiom by adding that it has no less a horror of regularity. Observers know in e… - Pierre-Auguste Renoir

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Nature abhors a vacuum, say the physicists. They could complete their axiom by adding that it has no less a horror of regularity.
Observers know in effect that in spite of the apparent simplicity of the laws which preside at their formulation, the works of nature are infinitely varied, from the most important to the least...
At this time when our French art, still at the beginning of this century so full of penetrating charm and exquisite fantasy, is perishing because of regularity, dryness, and the mania of false perfection that now tends to make the unadorned cleanliness of the engineer into the ideal, we think it is useful to react promptly against the mortal doctrines which threaten to annihilate it...

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About Pierre-Auguste Renoir

Pierre-Auguste Renoir (25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style.

Also Known As

Alternative Names: Auguste Renoir Pjer-Ogist Renoar Pierre Auguste Renoir August Renoir Pierre August Renoir firmin auguste renoir p.a. renoir renoir p.a. Renoir a. renoir august renoir pierre august renoir
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Additional quotes by Pierre-Auguste Renoir

I went to see this picture [Raphael's painting 'Madonna della Sedia' which Renoir saw in Florence in 1882] just to have a good laugh – and I found myself in front of the most wonderfully free, solid, simple, alive painting it is possible to imagine – arms and legs of real flesh, and what a touching expression of maternal tenderness.

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It [his participating in the 7th exhibition of the Impressionists, combined with showing his work on the official Salon] isn't exactly a joy, but as I have said, it lets me out of the revolutionary side of the business, which I'm nervous of.. .It's a little weakness which I hope will be forgiven me [by the other impressionists].. .Delacroix used to say, quite rightly, that a painter should win as many honours as possible.

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