The absence of characters living with permanent disabilities affects the way viewers and readers see themselves, argues Rachel Kolb, an Emory Univers… - Pasquale Toscano

And yet it is not a “perk” to take the elevator when your friends walk up the stairs or to park in one of the handicapped spaces or to use a capacious bathroom stall or to be wheeled to the gate when you fly. It’s not just convenient either. It’s essential. This is the challenging, needy underbelly of living with an impairment that positive stereotyping can obscure. Accommodations serve the invaluable purpose of ensuring the human dignity of people with disabilities — our ability to participate in society as completely as possible without being de facto quarantined for “defects” in a world that prizes fitness and forgets that disability is the most fluid identity category of all.

Advocates are also wary of plots that go out of their way to portray disabilities as inconsequential, in a way that minimizes the genuine challenges they pose. When Netflix launched a show based on Marvel’s Daredevil character, a New York Times reviewer wrote that the central superhero “is sightless but not blind to crime.” In fact, he doesn’t seem blind to much of anything, including women or agile villains.

ACCORDING TO LAWRENCE Carter-Long, spokesman for the Disability Rights Education and Defense Fund , about 20 percent of Americans identify as disabled, while only about 2 percent of characters on television and in film have disabilities.