Now the day is done, Now the shepherd sun Drives his white flocks from the sky; Now the flowers rest On their mother's breast, Hushed by her low lull… - Louisa May Alcott

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Now the day is done,
Now the shepherd sun
Drives his white flocks from the sky;
Now the flowers rest
On their mother's breast,
Hushed by her low lullaby.

Now the glowworms glance,
Now the fireflies dance,
Under fern-boughs green and high;
And the western breeze
To the forest trees
Chants a tuneful lullaby.

Now 'mid shadows deep
Falls blessed sleep,
Like dew from the summer sky;
And the whole earth dreams,
In the moon's soft beams,
While night breathes a lullaby.

Now, birdlings, rest,
In your wind-rocked nest,
Unscared by the owl's shrill cry;
For with folded wings
Little Brier swings,
And singeth your lullaby.

English
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About Louisa May Alcott

Louisa May Alcott (29 November 1832 – 6 March 1888) was an American novelist best remembered for her novel Little Women (1868).

Biography information from Wikiquote

Also Known As

Alternative Names: A. M. Barnard Flora Fairfield Flora Fairchild Louisa Alcott Louisa M. Alcott Louisa Mary Alcott Tribulation Periwinkle L.M.A.
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Additional quotes by Louisa May Alcott

As Hester Prynne seemed to see some trace of her own sin in every bosom, by the glare of the Scarlet Letter burning on her own; so Sylvia, living in the shadow of a household grief, found herself detecting various phases of her own experience in others. She had joined that sad sisterhood called disappointed women; a larger class than many deem it to be, though there are few of us who have not seen members of it. Unhappy wives; mistaken or forsaken lovers; meek souls, who make life a long penance for the sins of others; gifted creatures kindled into fitful brilliancy by some inward fire that consumes but cannot warm. These are the women who fly to convents, write bitter books, sing songs full of heartbreak, act splendidly the passion they have lost or never won. Who smile, and try to lead brave uncomplaining lives, but whose tragic eyes betray them, whose voices, however sweet or gay, contain an undertone of hopelessness, whose faces sometimes startle one with an expression which haunts the observer long after it is gone.

. . . for it was a new thing to see Meg blushing and talking about admiration, lovers, and things of that sort, and Jo felt as if during that fortnight her sister had grown up amazingly, and was drifting away from her into a world where she could not follow.

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