One of the key topics, for me, is a study of the individual in relation to crowds and to power. A film essay on crowd psychology would avoid commenta… - Damian Pettigrew

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One of the key topics, for me, is a study of the individual in relation to crowds and to power. A film essay on crowd psychology would avoid commentary (it has become the madness of secondary discourse in many documentaries) and rely wholly on sound and image. Ideally, it would try to provide us with new concepts on the nature of society, on violence, and on the political bestiality of our times that is linked to the way the media has become a plague of words and images stripped of substance. It is a plague infecting our lives and, as a consequence, the history of nations with all that is sensational, random, and confused.

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About Damian Pettigrew

Damian Pettigrew (born Québec, Canada) is a Paris-based Canadian film director best known for the feature-length documentary films Balthus Through the Looking Glass and Fellini: I'm a Born Liar.

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In a synchronistic way, the Jungian term of great significance for Carolyn Carlson, her art is in accord with Hölderlin's phrase, "Poetically, man dwells on this earth." After the century of Fascism, we enter the brave new world of the digital era where bombs are grafted inside the body in a corruption of the word spiritual that Malraux never imagined. For Carlson, the question is no longer, "How to live together?" but rather, "How to live poetically our dwelling place?"

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