La fe es un grave sufrimiento, es como amar a alguien que está afuera en las tinieblas y que no se presenta por mucho que se le llame. Sentado aquí, … - Ingmar Bergman

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La fe es un grave sufrimiento, es como amar a alguien que está afuera en las tinieblas y que no se presenta por mucho que se le llame. Sentado aquí, con vosotros, que irreales resultan todas esas cosas, pierden su importancia. Siempre recordaré este día, me acordaré de esta paz, de las fresas y del cuenco de leche, de vuestros rostros a esta última luz. Mantendré el recuerdo de todo lo que hemos hablado, lo llevaré entre mis manos amorosamente, como se lleva un cuenco lleno hasta el borde de leche recién ordeñada. Me bastará este recuerdo, como una revelación.

Spanish
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About Ingmar Bergman

Ernst Ingmar Bergman (14 July 1918 – 30 July 2007) was a Swedish director, screenwriter, and producer whose unique cinematographic style made him one of the most notable directors of the twentieth century.

Biography information from Wikiquote

Also Known As

Native Name: Ernst Ingmar Bergman

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Additional quotes by Ingmar Bergman

Now let's get this Devil business straight, once and for all. To begin at the beginning: the notion of God, one might say, has changed aspect over the years, until it has either become so vague that it has faded away altogether or else has turned into something entirely different. For me, hell has always been a most suggestive sort of place; but I've never regarded it as being located anywhere else than on earth. Hell is created by human beings — on earth! What I believed in those days — and believed in for a long time — was the existence of a virulent evil, in no way dependent upon environmental or hereditary factors. Call it original sin or whatever you like — anyway an active evil, of which human beings, as opposed to animals, have a monopoly. Our very nature, qua human beings, is that inside us we always carry around destructive tendencies, conscious or unconscious, aimed both at ourselves and at the outside world. As a materialization of this virulent, indestructible, and — to us — inexplicable and incomprehensble evil, I manufactured a personage possessing the diabolical traits of a mediaeval morality figure. In various contexts I'd made it into a sort of private game to have a diabolic figure hanging around. His evil was one of the springs in my watch-works. And that's all there is to the devil-figure in my early films... Unmotivated cruelty is something which never ceases to fascinate me; and I'd very much like to know the reason for it. Its source is obscure and I'd very much like to get at it.

"قالت لي: "الشيء الوحيد الممل فيك يا انجمار برجمان هو ولعك بالأشياء الصحيحة والمفيدة. يجب أن تتخلف عن هذا الولع فهو ولعك وهم مشكوك به، وسوف يخلق أمامك عقبات لن تجرؤ على تجاوزها. بجب أن تتصرف كالدكتور فاوست عند توماس مان، وتبحث عن عاهرة مصابة بالسفلس

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When you feel perpetually unmotivated, you start questioning your existence in an unhealthy way; everything becomes a pseudo intellectual question you have no interest in responding whatsoever. This whole process becomes your very skin and it does not merely affect you; it actually defines you. So, you see yourself as a shadowy figure unworthy of developing interest, unworthy of wondering about the world - profoundly unworthy in every sense and deeply absent in your very presence.

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