Pan's Labyrinth works on so many levels that it seems to change shape even as you watch it. It is, at times, a joyless picture, and its pall of sadne… - Stephanie Zacharek

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Pan's Labyrinth works on so many levels that it seems to change shape even as you watch it. It is, at times, a joyless picture, and its pall of sadness can begin to weigh you down.

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About Stephanie Zacharek

Stephanie Zacharek (born 13. August 1963) is an American film and music critic. She is the film critic at Time magazine, based in New York City. From 2013 to 2015 she was the principal film critic for The Village Voice.

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This isn't a picture filled with wonder and a sense of fun; it's so jaded and crass that I almost wonder if it's a highly unscientific experiment designed to gauge how little audiences will settle for these days. Manic and multicolored, Speed Racer is an excess of nothingness.

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