For people who want to question whether America has a racist history, just go back and look at the political cartoons. The history is horrible. - Matt Wuerker

Many of the smartest people and most creative talents are working for the brainwashers, using dazzling images, sex and violence to rob us of our sanity.

Admit it-the world is mighty wacky. Dan Quayle is a heartbeat away from bravely leading us into the New World Order. Our intelligentsia are running around declaring that we have reached both the End of History and the apex of political evolution-we're the kings of the global jungle. At the same time, sensing new opportunities, the forces of reptilian nationalism-from Pat Robertson to militant mullahs, from David Duke to the ancient reactionary movements of Eastern Europe-are crawling out from under their rocks, getting facelifts, and learning how to use teleprompters and Stinger missiles. Meanwhile, back in the cradle of democracy, the "opposition" response to all this is to offer a choice between Jerry Brown and None of the Above.

I was lucky as a kid to get to meet Paul Conrad who lived in my hometown. He is a giant in editorial cartooning, winner of three Pulitzers and even more impressively he won a place on Nixon‘s enemies list. He was a huge influence. Starting out I also spent a lot of time looking at Ron Cobb, an insane crosshatcher who drew for the alternative press in the ’60’s, as well as David Levine, Ed Sorel, and R. Crumb. I also love Steinberg‘s visual elegance and innately whimsical voice. Red Grooms is another guy who took cartooning wonderful places. There are also a number of 19th-century cartoonists whose mad drawing skills and ability to create rich visual worlds always impressed me. A.B. Frost, T.S. Sullivant, Joseph Keppler are often overshadowed by Nast, but in many ways they were more adventurous graphically. Geez, maybe I am an anachronism. I also want to throw in here how great it is to work in D.C. There’s a great circle of cartoonists here and being in their orbit is a daily inspiration. Opening the Post to Toles and Richard Thompson (Richard’s Poor Almanac is the best and most original cartoon in the country and sadly known mostly only to those lucky enough to be in range of the Post;, Cul de Sac is pretty good too). And then there’s Ann Telnaes’ animations that appear in the Post online—-truly inspired and the wave of the future, as well as Beeler, Galifianakis, Bill Brown, and others. It raises one’s game to be around all these folks.