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" "... when I saw any of those kinds of beauty I knew I was alive, and not just in the sense that when I hit my thumb with a hammer I knew I was alive, but rather in the sense that I was partaking of something — something was passing through me that it was in my nature to be a part of.
Neal Town Stephenson (born 31 October 1959) is an American writer, known primarily for his science fiction works in the postcyberpunk and chemical generation genres with a penchant for explorations of society, mathematics, currency, and the history of science.
Biography information from Wikiquote
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Unix is not so much a product as it is a painstakingly compiled oral history of the hacker subculture. It is our Gilgamesh epic: a living body of narrative that many people know by heart, and tell over and over again — making their own personal embellishments whenever it strikes their fancy. The bad embellishments are shouted down, the good ones picked up by others, polished, improved, and, over time, incorporated into the story. […] Thus Unix has slowly accreted around a simple kernel and acquired a kind of complexity and asymmetry about it that is organic, like the roots of a tree, or the branchings of a coronary artery. Understanding it is more like anatomy than physics.
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Other people - store clerks, burger flippers, software engineers, the whole vocabulary of meaningless jobs that make up Life in America - other people just rely on plain old competition. Better flip your burgers or debug your subroutines faster than your high school classmate two blocks down the strip is flipping or debugging, because we're in competition with those guys, and people notice these things.
What a fucking rat race that is.