And must I, perchance, like careful writers, guard myself against the conclusions of my readers? - Djuna Barnes

Looking down the barrel of your eye, I see the body of a Bloody Cinderella looking back.

We look to the East for a wisdom that we shall not use - and to the sleeper for the secret that we shall not find. So, I say, what of the night, the terrible night? The darkness is the closet in which your lover roosts her heart, and that night-fowl that caws against her spirit and yours, dropping between you and her the awful estrangement of his bowels. The drip of your tears in his implacable pulse. Night people do not bury their dead, but on the neck of you, their beloved and waking, sling the creature, husked of its gestures. And where you go, it goes, the two of you, your living and her dead, that will not die; to daylight, to life, to grief, until both are carrion.

Morbid? You make me laugh. This life I write and draw and portray is life as it is, and therefore you call it morbid. Look at my life. Look at the life around me. Where is this beauty that I am supposed to miss? The nice episodes that others depict? Is not everything morbid? I mean the life of people stripped of their masks. Where are the relieving features? Often I sit down to work at my drawing board, at my typewriter. All of a sudden my joy is gone. I feel tired of it all because, I think, "What's the use?" Today we are, tomorrow dead. We are born and don't know why. We live and suffer and strive, envious or envied. We love, we hate, we work, we admire, we despise. … Why? And we die, and no one will ever know that we have been born.