My nerdy teenage rebellion was to confront my parents with the scientific method, challenging their weird beliefs, asking for peer-reviewed data and … - Johannes Grenzfurthner

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My nerdy teenage rebellion was to confront my parents with the scientific method, challenging their weird beliefs, asking for peer-reviewed data and scientific context. I remember that one day when I was 15, I asked my mother to use her divining rod and a piece of paper to determine the first 30 decimal values of pi. It took her three hours and not a single one was right. That felt like a huge success, but she just told me she had a bad day because of the full moon. Tomorrow she would try again and would succeed. And if not, who says that the 30 digits of pi in the math books are actually right? Maybe her version was correct in the first place and she had access to a higher knowledge? It simply wasn't possible to challenge her.

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About Johannes Grenzfurthner

Johannes Grenzfurthner (born June 13, 1975, in Vienna) is an Austrian artist, author, director, researcher. He founded the art and theory group monochrom.

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Contemporary art -- the field we are usually working in because there's money -- is mostly concerned with systems or systematic concepts. In the context of their work, artists adapt models of individual art-specific or economic or political systems like in a laboratory, to reveal the true nature of these systems by deconstructing them. So would it be fair to say that by their chameleon-like adaptation they are attempting to generate a similar system? Well... the corporate change in the art market has aged somewhat in the meantime and looks almost as old as the 'New Economy'. Now even the last snotty brat has realized that all the hogwash about the creative industries, sponsoring, fund-raising, the whole load of bullshit about the beautiful new art enterprises, was not much more than the awful veneer on the stupid, crass fanfare of neo-liberal liberation teleology. What is the truth behind the shifting spheres of activity between computer graphics, web design and the rest of all those frequency-orientated nerd pursuits? A lonely business with other lonely people at their terminals. And in the meantime the other part of the corporate identity has incidentally wasted whole countries like Argentina or Iceland. That's the real truth of the matter.

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If I had not grown up in Stockerau, in the boonies of Lower Austria, than I would not be what I am now. The germ cell of burgeoning nerdism is difference. The yearning to be understood, to find opportunities to share experiences, to not be left alone with one's bizarre interest. At the same time one derives an almost perverse pleasure from wallowing in this deficit. Nerds love deficiency: that of the other, but also their own. Nerds are eager explorers, who enjoy measuring themselves against one another and also compete aggressively. And yet the nerd's existence also comprises an element of the occult, of mystery. The way in which this power is expressed or focused is very important.

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