I told you once how I believe it isn't love that dies, it's the man and the woman, something in the man and the woman that dies, doesn't deserve the … - William Faulkner

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I told you once how I believe it isn't love that dies, it's the man and the woman, something in the man and the woman that dies, doesn't deserve the chance any more to love.

English
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About William Faulkner

William Cuthbert Faulkner (September 25, 1897 – July 6, 1962) was an American novelist and short story writer whose works feature his native state of Mississippi. He was regarded as one of the most influential writers of the twentieth century and was awarded the 1949 Nobel Prize for Literature.

Biography information from Wikiquote

Also Known As

Birth Name: William Cuthbert Falkner
Native Name: William Cuthbert Faulkner
Alternative Names: William Falkner
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Additional quotes by William Faulkner

The river itself is not a hundred yards across, and pa and Vernon and Vardaman and Dewey Dell are the only things in sight not of that single monotony of desolation leaning with that terrific quality a little from right to left, as though we had reached the place where the motion of the wasted world accelerates just before the final precipice. Yet they appear dwarfed. It is as though the space between us were time: an irrevocable quality. It is as though time, no longer running straight before us in a diminishing line, now runs parallel between us like a looping string, the distance being the doubling accretion of the thread and not the interval between. The mules stand, their fore quarters already sloped a little, their rumps high. They too are breathing now with a deep groaning sound; looking back once, their gaze sweeps across us with in their eyes a wild, sad, profound and despairing quality as though they had already seen in the thick water the shape of the disaster which they could not speak and we could not see.

He thought that it was loneliness which he was trying to escape and not himself. But the street ran on: catlike, one place was the same as another to him. But in none of them could he be quiet. But the street ran on in its moods and phases, always empty: he might have seen himself as in numberless avatars, in silence, doomed with motion, driven by the courage of flagged and spurred despair; by the despair of courage whose opportunities had to be flagged and spurred.

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When I was fifteen, a companion and I, on a dare, went into the mound one day just at sunset. We saw some of those Indians for the first time; we got directions from them and reached the top of the mound just as the sun set. We had camping equiptment with us, but we made no fire. We didn't even make down our beds. We just sat side by side on that mound until it became light enough to find our way back to the road. We didn't talk. When we looked at each other in the gray dawn, our faces were gray, too, quiet, very grave. When we reached town again, we didn't talk either. We just parted and went home and went to bed. That's what we thought, felt, about the mound. We were children, it is true, yet we were descendants of people who read books and who were, or should have been, beyond superstition and impervious to mindless fear.

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