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" "“..I felt angry when I learnt that a great artist like Mani Madhava Chakyar was awarded a mere Padma Shri. A man of his artistic genius and erudition deserved to be decorated with the highest state honour (Bharat Ratna)” - RKG (Editor, The Illustrated Weekly, Columnist for Times of India), 2000<ref>RKG, India : A Nation in Turmoil, Vedam Books, New Delhi (2000), , p. 256
Guru Mani Madhava Chakyar (Māni Mādhava Chākyār) (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Kutiyattam (2000 year old Sanskrit theatre tradition) artist and authority of modern times. He was considered as the authority of Abhinaya (Classical Indian acting style) and Nātyaśāstra.
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“This is the first award I received...In fact, I consider this priceless. This was presented to me by Sri. Godavarma Bhattan Thampuran of Kodungallur (Cranganore) Palace years ago. I was only 22 then. Those were days when Kodungallur used to witness the best assembly of scholars in Sanskrit and the sasthras. Present on that day were several highly learned men and women. The stage was in front of Sringapuram temple. I presented Bhagavad Dooth Prabhantham Koothu. My interpretation of one of the slokas was a little more elaborate than and different from the custom-worn treatment. The audience liked it. In appreciation, Bhattan Thampuran removed this ring from his finger and put it on mine. The spontaneous gesture in recognition of my art naturally is the most precious to me ” -Guru Māni Mādhava Chākyār, about his prized possession- the golden ring from the great scholar H.H Bhattan Thampuran
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“Mani Madhava Chakyar when he portrayed Arjuna on the first evening and Ravana on the second, showed himself a master of the expression of the eye” - Dr. V Raghavan, renowned scholar of Sanskrit dramaturgy, classical Indian dance and music, connoisseur of art and former director of Samskritaranga- Chennai, 1962.