I call the discourse of power any discourse which engenders blame, hence guilt, in its recipient. Some expect of us as intellectuals that we take act… - Roland Barthes

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I call the discourse of power any discourse which engenders blame, hence guilt, in its recipient. Some expect of us as intellectuals that we take action on every occasion against Power, but our true battle is elsewhere, it is against powers in the plural, and this is no easy combat. For if it is plural in social space, power is, symmetrically, perpetual in historical time. Exhausted, defeated here, it reappears there; it never disappears. Make a revolution to destroy it, power will immediately revive and flourish again in the new state of affairs. The reason for this endurance and this ubiquity is that power is the parasite of a trans-social organism, linked to the whole of man's history and not only to his political, historical history. This object in which power is inscribed, for all of human eternity, is language, or to be more precise, its necessary expression: the language we speak and write.

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About Roland Barthes

Roland Barthes (November 12, 1915 – March 25, 1980) was a French literary critic, literary and social theorist, philosopher, and semiotician.

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Also Known As

Alternative Names: Roland Gérard Barthes

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I cannot classify the other, for the other is, precisely, Unique, the singular Image which has miraculously come to correspond to the speciality of my desire. The other is the figure of my truth, and cannot be imprisoned in any stereotype (which is the truth of others).

"الأكثر من ذلك أن النص أبخس حتى من خُفّ! لأن الخُفَّ صُنِعَ لقدميك (لمقاسك، ومتعتك)، كذلك تم صنع قالب الحلوى، أو اختيارُه على ذوقك: ثمة بعضُ التطابق بين هذه الأشياء وشخصك. أمَّا الكتابة فلا تتهيّأ لها هذه المحاباة. الكتابة جافّةٌ، بليدةٌ، إنها نوع من مرداس، تمضي غير آبهة، وبفظاظة، وبدلاً من أن تنحرف عن حتميّتها (اللغزية على كلّ حال)، قد تقتل "الأبَ، الأم، المحبوب". عليّ حينما أكتب، أن أعود إلى هذه البديهية (التي تمزّقني، بحسب ما أتخيّل): لا رفقَ في الكتابة، بل، بالأحرى، رعبٌ: تخنق الآخر، الذي يقرأ فيها، وهو بعيد عن أن يدرك فيها العطاء، تأكيدَ السيادة، والقوّة، والمتعة، والعزلة. ومن ثَمَّ مفارقة الإهداء القاسية: أريد، بأي ثمن، أن أقدِّم لك ما يخنُقك."

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The text you write must prove to me that it desires me. This proof exists: it is writing. Writing is: the science of the various blisses of language, its Kama Sutra (this science has but one treatise: writing itself).

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