There are two classes, those who want to know and do not care whether others think they know or not, and those who do not much care about knowing but care very greatly about being reputed as knowing.
It is curious that money, which is the most valuable thing in life, exceptis excipiendis, should be the most fatal corrupter of music, literature, painting and all the arts. As soon as any art is pursued with a view to money, then farewell, in ninety-nine cases out of a hundred, all hope of genuine good work.
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No one thinks he will escape death, so there is no disappointment and, as long as we know neither the when nor the how, the mere fact that we shall one day have to go does not much affect us; we do not care, even though we know vaguely that we have not long to live. The serious trouble begins when death becomes definite in time and shape. It is in precise fore-knowledge, rather than in sin, that the sting of death is to be found; and such fore-knowledge is generally withheld; though, strangely enough, many would have it if they could.
