What happened? It took Gibbon six volumes to describe the decline and fall of the Roman Empire, so I shan’t embark on that. But thinking about this a… - Kenneth Clark
" "What happened? It took Gibbon six volumes to describe the decline and fall of the Roman Empire, so I shan’t embark on that. But thinking about this almost incredible episode does tell one something about the nature of civilisation. It shows that however complex and solid it seems, it is actually quite fragile. It can be destroyed. What are its enemies? Well, first of all fear – fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next year’s crops. And fear of the supernatural, which means that you daren’t question anything or change anything. The late antique world was full of meaningless rituals, mystery religions, that destroyed self-confidence. And then exhaustion, the feeling of hopelessness which can overtake people even with a high degree of material prosperity. There is a poem by the modern Greek poet, Cavafy, in which he imagines the people of an antique town like Alexandria waiting every day for the barbarians to come and sack the city. Finally the barbarians move off somewhere else and the city is saved; but the people are disappointed – it would have been better than nothing. Of course, civilisation requires a modicum of material prosperity – enough to provide a little leisure. But, far more, it requires confidence – confidence in the society in which one lives, belief in its philosophy, belief in its laws, and confidence in one’s own mental powers. The way in which the stones of the Pont du Gard are laid is not only a triumph of technical skill, but shows a vigorous belief in law and discipline. Vigour, energy, vitality: all the great civilisations – or civilising epochs – have had a weight of energy behind them. People sometimes think that civilisation consists in fine sensibilities and good conversation and all that. These can be among the agreeable results of civilisation, but they are not what make a civilisation, and a society can have these amenities an
About Kenneth Clark
Kenneth McKenzie Clark, Baron Clark of Saltwood, OM, CH, KCB, FBA (13 July 1903 – 21 May 1983) was an English art historian and director of London's National Gallery (1934–1945) who is remembered for his television series Civilisation first broadcast in 1969.
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Additional quotes by Kenneth Clark
Charlemagne is the first great man of action to emerge from the darkness since the collapse of the Roman world. He became a subject of myth and legend. A magnificent reliquary in Aix-la-Chapelle, made about five hundred years after his death to hold a piece of his skull, expresses what the High Middle Ages felt about him in terms that he himself would have appreciated – gold and jewels. But the real man, about whom we know quite a lot from a contemporary biographer, wasn’t so far from that myth. He was a commanding figure, over six feet tall, with piercing blue eyes – only he had a small squeaky voice and a walrus moustache instead of a beard. He was a tireless administrator. The lands he conquered – Bavaria, Saxony, Lombardy – were organised a good deal beyond the capacities of a semi-barbarous age. His empire was an artificial construction and didn’t survive him. But the old idea that he saved civilisation isn’t so far wrong, because it was through him that the Atlantic world re-established contact with the ancient culture of the Mediterranean world. There were great disorders after his death, but no more skin of our teeth. Civilisation had come through.
The nude gains its enduring value from the fact that it reconciles several contrary states. It takes the most sensual and immediately interesting object, the human body, and puts it out of reach of time and desire; it takes the most purely rational concept of which mankind is capable, mathematical order, and makes it a delight to the senses; and it takes the vague fears of the unknown and sweetens them by showing that the gods are like men and may be worshiped for their life-giving beauty rather than their death-dealing powers.
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