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" "I have experienced comparable transformations in the realm of communications, beginning with ancient times. I remember the man working for the mayor's office in Wüstenrot in Swabia, a few hours from Munich and Sachrang, where my brother and I later lived for a year with our father. He was the town crier. There's an archaic German word for it. I heard him make his way through the village up to the Raitelberg, ringing his bell to get people's attention. Every three or four houses, he would stop and call out his "Hear ye, hear ye!" and announce official decrees and deadlines. From my early childhood, I knew what radio and newspapers were even though we didn't always have electricity, but I never saw a film. I had no notion of cinema. I didn't know such a thing existed until one day a man with a mobile projector came to us in our one-room village school in Sachrang and showed us
Werner Herzog (born Werner Stipetic on 5 September 1942) is a German screenwriter, film director, actor and opera director.
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But walking became more important and more explicit in connection with my grandfather Rudolf, my father's father; I had the sense of walking in his landscapes. I was closer to him than to my actual father. I think it all had to do with the way the turn-of-the-century generation had deeper historical roots than the generation of my parents, who quit the continuum of European culture when they opted for National Socialism. They descended into a vague Germano-mystical archaism and went under with it. Perhaps I am being too subjectively concentrated on my own family here. Families are strange creatures, and mine is no exception. In addition, there is the circumstance that I knew my grandfather only when he was already insane.
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Of course, we are challenging nature itself...
and it hits back.
It just hits back. That's all.
And that's grandiose about it.
And we have to- to accept that
it is much stronger than we are.
Kinski always says it's full of...
erotic elements.
I don't see it so much erotic.
I see it more full of obscenity.
It's just-
Nature here is vile and base.
I wouldn't see anything erotical here.
I would see fornication
and asphyxiation...
and choking
and fighting for survival...
and growing and...
just rotting away.
Of course, there's a lot of misery.
But it is the same misery
that is all around us.
The trees here are in misery,
and the birds are in misery.
I don't think they- they sing.
They just screech in pain.
It's an unfinished country.
It's still prehistorical.
The only thing that is lacking is-
is the dinosaurs here.
It's like a curse
weighing on an entire landscape.
And whoever...
goes too deep into this...
has his share of that curse.
So we are cursed
with what we are doing here.
It's a land that God,
if he exists...
has-has created in anger.
It's the only land where-
where creation is unfinished yet.
Taking a close look at -
at what's around us...
there - there is
some sort of a harmony.
It is the harmony of...
overwhelming and collective murder.
And we in comparison to
the articulate vileness...
and baseness and obscenity...
of all this jungle -
Uh, we in comparison to that
enormous articulation -
we only sound and look like...
badly pronounced
and half-finished sentences...
out of a stupid suburban... novel -
a cheap novel.
And we have to become humble...
in front of this...
overwhelming misery and...
overwhelming fornication...
overwhelming growth...
and overwhelming lack of order.
Even the- the stars up here
in the-in the sky look like a mess.
There is no harmony in the universe.
We have to get acquainted to this idea that...
there is no real harmony
as we have conceived it.
But when I say this, I say this all
full of admiration for the jungle.
It is n