these lives don't seem worth the trouble he has given them. - Richard Yates

From the day of his talkative, overconfident arrival at Irving he had failed and failed at learning how not to behave like a jerk; and everybody knew what kind of life a jerk could expect at prep school.

"Well, she's - sweet," he told her. "She's very sweet, and I guess that's part of the trouble. She's like a little girl - is a little girl.

Thirty years before, in his revision notes for his first novel, Yates pondered what he viewed as the single biggest flaw in his work—sentimentality, the fact that his protagonists Frank and April were "too nice": "See and show both of these people from the outside, in the round, and from the inside too. Be 'simultaneously enchanted and repelled by their inexhaustible variety.' Think about them, and the hell with the reader's sympathies. Make them love and hate each other the way real people do." Yates seized on this approach—showing his characters from the outside and in—as the key to making otherwise unexceptional people interesting