Editorial work came easily to me, but it was always a means to an end – it consumed me, it interested me, but I still found it creatively restrictive, - Polly Borland

The common link was that they all felt unloved as kids. I actually felt the whole thing wasn't that psychologically interesting. That's how it resonated with me. That's how they chose to rationalise it. I am a voyeur; at the same time I am willing to get stuck in too.

Much of my work is about love," she says. "I know that sounds naive, but it is about my relationship with people and their ability to trust me. I don't feel like I am manipulating people.

I think that anyone who is working creatively is a bit like litmus paper," she concludes. "I soak up a lot of stuff. I am hyper-sensitive and along the way I lead quite a conventional life. Maybe I am not acting out that stuff because it's in my work. It comes from existential angst. I think life's difficult.