The thing that is maybe the real difference, the fundamental difference, is that in adult literature you can have a literature of despair and end the… - Lloyd Alexander

" "

The thing that is maybe the real difference, the fundamental difference, is that in adult literature you can have a literature of despair and end the work without any hope; you can have a literature of the absurd in which life is pointless, meaningless...In children's literature you can have a tragic ending...nevertheless, maybe what happens makes some kind of sense; maybe there is hope. We have got to pull out of ourselves some kind of hope. This is the key difference between writing for adults and children.

English
Collect this quote

About Lloyd Alexander

Lloyd Chudley Alexander (January 30, 1924 – May 17, 2007) was a widely-influential American author of more than forty books, mostly fantasy novels for children and adolescents, as well as several adult books. His most famous contribution to the field of children's literature is the fantasy series The Chronicles of Prydain.

Biography information from Wikiquote

Also Known As

Birth Name: Lloyd Chudley Alexander
Go Premium

Support Quotewise while enjoying an ad-free experience and premium features.

View Plans

Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.

Additional quotes by Lloyd Alexander

Torrens kicked at the door until it was finally opened. The farm couple and three youngsters had been eating breakfast in the common room. The yard dog would have bounded in had not Torrens kicked the door shut.

'I want a bed. Quilts. A hot drink. I am a doctor. This woman is my patient.'

The farm couple was terrified. The look on the face of Torrens cut short any questions. They did as he ordered. One of the children ran to fetch his medical kit from the cart. The woman motioned for Torrens to set Caroline on a straw pallet. The farmer kept his distance, but his wife, shyly, fearffully, ventured closer. She glanced at Torrens, as if requesting his permission to help. Between them, they made Caroline as comfortable as they could.

Torrens knelt by the pallet. Caroline reached for his hand. 'Leave while you can. Do not burden yourself with me.'

'A light burden.'

'I wish you to find Augusta.'

'You have my promise.'

'Take this.' Caroline had slipped off a gold ring set with diamonds. 'It was a wedding gift from the king. It has not left my finger since then. I give it to you now - ' Torrens protested, but Caroline went on - 'not as a keepsake. You and I have better keepsakes in our hearts. I wish you to sell it. You will need money, perhaps even more than this will bring. But you must stary alive and find my child. Help her as you have always helped me.'

'We shall talk of this later, when you are better. We shall find her together.'

'You have never lied to me.' Caroline's smile was suddenly flirtacious. 'Sir, if you begin now, I shall take you to task for it.'

Her face seemed to grow youthful and earnest for an instant. Torrens realized she held life only by strength of will.

'I am thinking of the Juliana gardens,' Caroline said. 'How lovely they were. The orangerie. And you, my loving friend. Tell me, could we have been happy?'

'Yes.' Torrens raised her hand to his lips. 'Yes. I am certain of it.'

Caroline did not speak again. Torrens stayed at her side. S

Go Premium

Support Quotewise while enjoying an ad-free experience and premium features.

View Plans
Hope is an essential thread in the fabric of all fantasies, an Ariadne's thread to guide us out of the labyrinth ... Human beings have always needed hope, and surely now more than ever.

Loading...