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" "The concepts "bourgeoisie" and "proletariat" reflect the typically English preference for business rather than manual work. (But of course not over mental work. Just as the English intellectual was by choice either a Tory or a Whig, he has had to choose between the two new economic parties. Being a "gentleman", he has naturally opted for big business.) The former is a blessing, the latter a calamity; the one is noble, the other base. But with their hatred the misfortunate ones say, "Business is the evil occupation, manual labor the good." This is the explanation for the mental attitude which gave rise to Marx's social criticism and which has made him so catastrophic for true socialism. He knew the nature of work only from the English viewpoint, as a means of getting rich, as a means lacking in all moral depth. Only success and money, the visible and tangible signs of God’s grace, were of ethical import. The Englishman has no inkling of the dignity of hard work. For him, work is a debasing thing, an ugly necessity. Pity the poor soul who has nothing but work, who owns nothing without more and more work, but who above all will never have wealth in the future! Had Marx understood the meaning of Prussian work, of activity for its own sake, of service in the name of the totality, for "all together" and not for oneself, of duty that ennobles regardless of the kind of work performed—had he been able to comprehend these things, his Manifesto would probably never have been written.
Oswald Arnold Gottfried Spengler (29 May 1880 – 8 May 1936) was a German historian, philosopher and political writer, most famous for his Der Untergang des Abendlandes (The Decline of the West), the first volume of which was published in the summer of 1918 and by 1926 had gone through thirty printings.
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The stone statue and the scientific system deny life. Mathematical number, the formal principle of an extension-world of which the phenomenal existence is only the derivative and servant of waking human consciousness, bears the hall-mark of causal necessity and so is linked with death as chronological number is with becoming, with life, with the necessity of destiny. This connexion of strict mathematical form with the end of organic being, with the phenomenon of its organic remainder the corpse, we shall see more and more clearly to be the origin of all great art. We have already noticed the development of early ornament on funerary equipments and receptacles. Numbers are symhols of the mortal. Stiff forms are the negation of life, formulas and laws spread rigidity over the face of nature, numbers make dead …
To-day we live so cowed under the bombardment of this intellectual artillery that hardly anyone can attain to the inward detachment that is required for a clear view of the monstrous drama. The will-to-power operating under a pure democratic disguise has finished off its masterpiece so well that the object's sense of freedom is actually flattered by the most thorough-going enslavement that has ever existed.
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Romanticism is no sign of powerful instincts, but, on the contrary, of a weak, self-detesting intellect. They are all infantile, these Romantics; men who remain children too long (or for ever), without the strength to criticize themselves, but with perpetual inhibitions arising from the obscure awareness of their own personal weakness; who are impelled by the morbid idea of reforming society, which is to them too masculine, too healthy, too sober. ...