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" "To be honest, it’s very difficult to explain what stories I see fit to become a film or not. I have several people I regularly work with — producers, actors, crew members — and it’s always very difficult to explain why this story can or can’t be a film. It often puts me in trouble, as well. I can find it hard to explain myself. Whether the story is fun or moving or might receive good reviews is honestly not that important to me. It’s a very intuitive feeling that I have — mainly about whether the story is worth reaching out to the audience to communicate with them at this point in time. Is the story worth the effort of bringing it to the audience? It’s sort of a very sensitive and intuitive decision-making process that happens within me.
Lee Chang-dong (born July 4, 1954) is a South Korean film director, screenwriter, and novelist, who is well known for his feature films Green Fish (1997), Peppermint Candy (2000), Oasis (2002), Secret Sunshine (2007), Poetry (2010) and Burning (2018).
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I’ve always wanted actors to simply and purely feel the emotions rather than feeling like they have to express them. During the film shoot, I tried to have as much conversation with them as I could about the characters and their circumstances. Having conversation was a more effective way of communication than simply giving directions, and I believe it allowed much more freedom for the actors.