He (Delacroix) turns David [French painter] upside down. His painting is iridescent. Seeing one Constable [famous English landscape painter, admired … - Paul Cézanne

" "

He (Delacroix) turns David [French painter] upside down. His painting is iridescent. Seeing one Constable [famous English landscape painter, admired by French painters, then] is enough to make him understand all the possibilities of landscape, and he too sets up his easel by the sea.. .And he has a sense of human being, of life in movement, of warmth. Everything moves, every glistens. The light!.. .There is more warm light in this interior [probably: Delacroix's 'Woman of Algiers'] of his than in all of Corot's landscapes..

English
Collect this quote

About Paul Cézanne

Paul Cézanne (January 19, 1839 – October 22, 1906) was a French Post-Impressionist painter whose work laid the foundations of the transition from the 19th century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cézanne can be said to form the bridge between late 19th century Impressionism and the early 20th century's new line of artistic enquiry, Cubism.

Also Known As

Alternative Names: Cézanne Cezanne Pol Sezan Polʹ Sezann Paul Cezanne P. Sezanas cezanne paul p. cezanne
Go Premium

Support Quotewise while enjoying an ad-free experience and premium features.

View Plans

Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.

Additional quotes by Paul Cézanne

That's my great ambition. To be sure! Every time I attack a canvas I feel convinced, I believe that something's going to come of it.. .But I immediately remember that I've always failed before. Then I taste blood.. .I never know where I am going or where I want to go with this damned profession. All the theories mess you up inside.

It's like Impressionism. They all do it at the Salons. Oh, very discreetly! I too was an Impressionist. I don't conceal the fact. Pissarro had an enormous influence on me. But I wanted to make out of Impressionism something solid and lasting like the art of the museums.

Loading...