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" "He had had many conversations during his long life. Some were fascinating and stayed with him more than a century later. Others were less so. As a younger man he had tolerated those as part of the cost of doing business—a sort of tax that all people must pay in order to take part in civilized society. When he had turned one hundred, he had decided to stop paying that tax. Henceforth he would engage only in conversations that really interested him—which, with a few exceptions for close friends and family members, meant conversations with a purpose.
Neal Town Stephenson (born 31 October 1959) is an American writer, known primarily for his science fiction works in the postcyberpunk and chemical generation genres with a penchant for explorations of society, mathematics, currency, and the history of science.
Biography information from Wikiquote
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My men think you are dead now, and won’t waste balls on you,” Jack said. “In fact I have let you live, but for one purpose only: so that you can make your way back to Paris and tell them the following: that the deed you are about to witness was done for a woman, whose name I will not say, for she knows who she is; and that it was done by ‘Half-Cocked’ Jack Shaftoe, L’Emmerdeur, the King of the Vagabonds, Ali Zaybak: Quicksilver!
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Having caught Phil's eye, Sophia panned her gaze across the entire scene, asking him to take it all in. Reminding him that this wasn't Princeton. This was Ameristan. Facebooked to the molecular level.
“Professor Long,” she muttered, “the Red Card.” It was a reference to...a wallet card for people to keep in front of them during conversations like this one. One side of the card was solid red, with no words or images, and was meant to be displayed outward as a nonverbal signal that you disagreed and that you weren't going to be drawn into a fake argument.
The other side, facing the user, was a list of little reminders as to what was really going on:
1. Speech is aggression
2. Every utterance has a winner and a loser
3. Curiosity is feigned
4. Lying is performative
5. Stupidity is power