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"Those who fail to learn from history are doomed to repeat it." That's a quote commonly attributed to Winston Churchill, but he was actually probably paraphrasing George Santayana. [...] But here's a corollary I came up with all by myself: "Those who let hucksters write the history they're trying to learn from are doomed in some other horrible way".
Harry Brewis (born 19 September 1992), better known as Hbomberguy, is a British YouTuber and Twitch streamer. Brewis produces video essays on a variety of topics such as film, television, and video games; often combining them with arguments from left-wing political and economic positions. He has created videos aimed at debunking conspiracy theories and responding to right-wing and antifeminist arguments.
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People seek these solutions because they perceive on some level a problem, and they’re right. Something is wrong with the world right now. The world is figuratively on fire, world leaders are asleep at the wheel, there’s nothing in place to prevent another massive financial crash which will destroy thousands if not millions of livelihoods, and ecologically speaking, instead of being, you know, figuratively on fire, the earth is literally on fire, wildfires are getting worse, temperatures are shifting all over the place, ice is melting at an astounding rate... even on a globe Earth, the edge is coming fast. So I can’t blame anyone for feeling alienated and lonely about living in late capitalist society. You know, at least under feudalism we had job security. So of course people are gonna try and find something that helps them cope, or seems like a solution. I mean, that’s why you get cults, that’s why you get Scientology, that’s why you get Jordan Peterson supporters. You know, something is wrong, and we can all tell, and some people have arrived at a solution that doesn’t really work.
If you want to know what makes a great comic work, don't just look at the basic plot, the important monologues, the "writing", as it were. Look at the desks and bookcases and bedside tables of Moore's world. That's the real writing. And then flip through a copy of, say, "Youngblood" and look at how barren everything is. These comics are supposedly set in a grimdark world where heroes are anti-heroes, but quite often, they simply just tell you that and then show you shots of characters monologuing about how complex they are in empty, character-less rooms or just straight up blank voids. [...] These kinds of creators read Watchmen, read The Dark Knight Returns, read The Killing Joke -- works that presented characters as flawed but real and used even desks as characterization and worldbuilding. Works that had, to put it in one word: ideas. But these creators didn't see that stuff when they read those comics. They saw the darkness, the edginess, the grittiness on the surface and tried desperately to recreate that. The appearance of depth mattered more than the real stuff.