Like a little warm coal in my heart burns your saying that you miss me. I miss you oh so much. How much, you’ll never believe or know. At every momen… - Vita Sackville-West

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Like a little warm coal in my heart burns your saying that you miss me. I miss you oh so much. How much, you’ll never believe or know. At every moment of the day. It is painful but also rather pleasant, if you know what I mean. I mean, that it is good to have so keen and persistent a feeling about somebody. It is a sign of vitality.

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About Vita Sackville-West

Victoria Mary Sackville-West, The Hon Lady Nicolson, CH (9 March 1892 – 2 June 1962), most famous as Vita Sackville-West, was an English poet, novelist and writer on gardening. She is sometimes considered part of the Bloomsbury group, and well known as the inspiration for Virginia Woolf's novel Orlando: A Biography.

Biography information from Wikiquote

Also Known As

Birth Name: Victoria Mary Sackville-West
Alternative Names: Lady Victoria Sackville-West Victoria Mary Sackville-West, Lady Nicolson Victoria Sackville-West V. Sackville-West Victoria (Vita) Sackville-West

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Additional quotes by Vita Sackville-West

She found herself suddenly surrounded by a host of assumptions. It was assumed that she trembled for joy in his presence, languished in his absence, existed solely (but humbly) for the furtherance of his ambitions, and thought him the most remarkable man alive, as she herself was the most favoured of women, a belief in which everybody was fondly prepared to indulge her. Such was the unanimity of these assumptions that she was almost persuaded into believing them true.

She had plenty of leisure now, day in, day out, to survey her life as a tract of country traversed, and at last become a landscape instead of separate fields or separate years and days, so that it became a unity and she could see the whole view, and could even pick out a particular field and wander round it again in spirit, though seeing it all the while as it were from a height, fallen in its proper place, with the exact pattern drawn round it by the hedge, and the next field into which the gap in the hedge would lead. So, she thought, could she at last put circles on her life. Slowly she crossed that day, as one crosses a field by a little path through the grasses, with the sorrel and the buttercups waving on either side; she crossed it again slowly, from breakfast to bed-time, and each hour, as one hand of the clock passed over the other, regained for her its separate character: this was the hour, she thought, when I first came downstairs that day, swinging my hat by its ribbons; this was the hour when he persuaded me into the garden, and sat with me on the seat beside the lake, and told me it was not true that with one blow of its wing a swan could break the leg of a man.

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There had been no moments when she could differentiate and say: Then, at such a moment, I love him; and again, Then, at such another, I loved him not. The stress had been constant. her love for him had been a straight black line drawn right through her life. It had hurt her, it had damaged her, it had diminished her, but she had been unable to curve away from it.

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