I have observed that very often I gain access to a little secret that I have sought for a long time by way of a fortuitous encounter quite unrelated … - Jean Dubuffet

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I have observed that very often I gain access to a little secret that I have sought for a long time by way of a fortuitous encounter quite unrelated to the matter: for example six months I try to draw a camel in a way that satisfies me, and I make a thousand attempts without ever managing to do it. Then one day it is a drawing of a plump on the label of a pot of jam or the shadow thrown by an ink pot, or something or other equally unrelated to the matter that provides me with the solution. This kind of thing has happened so often that I have acquired the habit of always being on the outlook, and when I want to draw a camel I no longer limit myself, as I once did, to looking (only, fh) at camels..

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About Jean Dubuffet

Jean Dubuffet (July 31, 1901 – May 12, 1985) was one of the French painters and sculptors of the second half of the 20th century. Dubuffet coined the term Art Brut for the art produced by non-professionals working outside aesthetic norms, such as art by children, mental patients, prisoners. The material in Art Brut is essential. Dubuffet's art is representational, in which he strives for the general and the popular meaning.

Also Known As

Alternative Names: Louis-Léon Forget Jandu Bufe Jean-Philippe-Arthur Dubuffet Louis-Leon Forget Jean Philippe Arthur Dubuffet
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Additional quotes by Jean Dubuffet

This character of depersonalization is certainly a constant of all my personages.. ..The charm of my Portraits enterprise consisted exactly in undergoing a treatment of depersonalization of the effigies of the persons designated. This persistent drive to depersonalize the persons seems to me to precede the paintings (and is more or less conscious in my mind throughout their execution).. ..[this depersonalisation requires] imagination from the viewer to recognize and complete the portrait.

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I have always directed my attempts at the figurative representation of objects by way of summary and not very descriptive brushstrokes, diverging greatly from the real objective measurements of things, and this has led many people to talk about childish drawing.. ..this position of seeing them [the objects] without looking at them too much, without focusing more attention on them than any ordinary man would in normal everyday life..

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