I work like a gang of slaves; the day seems five months long. My wish to make a winter landscape has become a fixed idea. I want to do a sheep pictur… - Jean-François Millet

" "

I work like a gang of slaves; the day seems five months long. My wish to make a winter landscape has become a fixed idea. I want to do a sheep picture and have all sorts of projects in my head. If you could see how beautiful the forest is! I rush there at the end of the day, after my work, and I come back every time crushed. It is so calm, such a terrible grandeur, that I find myself really frightened. I don't know what those fellows, the trees, are saying to each other.. ..we don't know their language, that is all; but I am quite sure of this - they do not make puns!.. ..Send [me] 3 burnt sienna, 2 raw ditto, 3 Naples's yellow, 1 burnt Italian earth, 2 yellow ocher, 2 burnt umber, 1 bottle of raw oil.

English
Collect this quote

About Jean-François Millet

Francois Millet, (October 4, 1814 – January 20, 1875) was a French painter and one of the founders of the Barbizon school in rural France. Millet is noted for his scenes of peasant farmers like in his well-known painting The Gleaners.

Also Known As

Alternative Names: Jean François Millet Jean-Francois Millet Jean Francois Millet Mile Zhan Fransua Mille Mi-yeh François genannt Francisque Millet Jan Francois Millet jean-francois millet millet j. f. millet jean francois François Millet Millet millet j.f. Jean François Millet. J. F. Millet franqois millet j.f. millet

Enhance Your Quote Experience

Enjoy ad-free browsing, unlimited collections, and advanced search features with Premium.

Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.

Additional quotes by Jean-François Millet

For the first [his very first time in Paris], I went to a little hotel, where I spent the night in a sort of nightmare, in which I saw my home, full of melancholy, with my mother, grandmother, and sister spinning in the evening, weeping and thinking of me, praying that I should escape the perdition of Paris. Then the evil demon drove me on before wonderful pictures, which seemed so beautiful, so brilliant, that it appeared to me they took fire and vanished in a heavenly cloud.. .Finally, without knowing how, I found myself [during one of his his first days in Paris] on the Pont Neuf, from which I saw a magnificent building which I thought must be the Louvre, from the descriptions I had heard of it. I went to it, and mounted the great stairway with a beating heart. At last one great object of my life was attained. I had imagined correctly what I should see. It seemed to me that I was in a world of friends [the paintings of the old masters], in a family where all that I beheld was the reality of my dreams.

To tell the truth, peasant subjects suit my nature best, for I must confess, at the risk of your taking me to be a Socialist, that the human side is what touches me most in art.. .The joyous side never shows itself to me ; I know not if it exists, but I have never seen it. The gayest thing I know is the calm, the silence, which are so delicious, both in the forest and in the cultivated fields, whether the soil is good for culture or not. You will confess that it always gives you a very dreamy sensation, and that the dream is a sad one, although often very delicious.

He [Alfred de Musset] puts you into a fever, it is true; but he can do nothing more for you. He has undoubted charms, but his taste is capricious and poisoned. All he can do is to disenchant and corrupt you, and at the end leave you in despair. The fever passes, and you are left without strength - like a convalescent who is in need of fresh air, of the sunshine, and of the stars.

Loading...