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This spreading of light is a frequent motif in Rgvedic hymns. The motif is worked out by the poets on two different levels, the human, and the super-… - Maria Schetelich
" "This spreading of light is a frequent motif in Rgvedic hymns. The motif is worked out by the poets on two different levels, the human, and the super-human. On the human level it is the succour Indra lends to his adorants (the drya or dryavarm) in their combats against the non-vedic dasa-or dasyu tribes. On the super- human level, Indra’s (and the Aryan’s adversaries are evil-doing, demonical beings like Susna, Pipru, Vrtra, Vala, Sambara or the above-mentioned Arsasana. They also are called dasa or dasyu, their symbol is darkness, night, the depth, the lowest region of the world.
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About Maria Schetelich
Maria Schetelich (born in 1938) is a German Indologist.
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One does more justice to the way of thinking of the poets of the Rgveda and the nature of this text if one places the term krsnä tvac in RV 1.130.8 in the context of the ideas of the "skin" or the "black skin" that are common elsewhere and thus assigns it to the vocabulary of Rgvedic mythology, especially since the equation of the Dasyu and Dasa with the non-Aryan population of northwest India can be doubted with good reason.
Schetelich, M. (2002). Bild, Abbild, Mythos-die Arier in den Arbeiten deutscher Indologen. " Arier" und" Draviden", 40-56. p. 43
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There are a whole series of standard opinions in the Indological literature, which are regarded as expressions of proven research results and are adopted in this capacity from one book to another to this day, without anyone believing that they need to be checked again against the source material and/or in the context of newer research and hypotheses. One of these standard opinions is the view that the population that the Arya encountered when they immigrated to India was radically different from them, especially in terms of their external appearance. They were dark-skinned and flat-nosed and spoke a different language - so says the Rgveda.
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