Vetulani is a rebellious artist: when we admire beautiful faces, forms, wide-framed Dutch landscapes, he says "and now for something you haven’t expe… - Tomasz Vetulani

Tomasz Vetulani's work balances between two fascinating axes, producing an image of an artist juggling various means of expression. From intriguing and expressive objects, made by him from, say, hot white glue or black silicon, with strong social and political connotations - to subtle images-objects, evoking fleeting states, where the sensitive eye of the artist touches the sublimation of certain senses.

I often use old photographs in paintings and collages. During some historical periods photographs have taken on the function of a signature or trademark. Throughout my childhood my 'forefathers and foremothers looked out from a photographic heaven' with a very real and often threatening presence. In fact, often in the works where I incorporate old photographs the works become personal 'maps of conscience'.

I love what I've learned from my parents, and what I continue here [in the Netherlands] – wandering, Sunday trips out of the town, mindfulness with which you can look at plants and animals. I am not interested in that professionally and I have no ambition to classify flora and fauna, but with enthusiasm I profess my amateur love for nature. Light, air, clouds, landscapes only seem harsh. A lot of beauty can be found in this rawness.