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" "There are some obvious difficulties in writing a history of the movement for freedom in India only fifteen years after it was achieved, and by one who has himself passed through the most! eventful period in it, covering the third and fourth phases mentioned above. We are all too near the events to view them in their true perspective. I have been a witness to the grim struggle from 1905 to 1947, and do not pretend to be merely a dispassionate or disinterested spectator ; I would have been more or less than a human being if I were so. My views and judgments of men and things may, therefore, have been influenced by passions and prejudices. Without denying this possibility, I may claim that I have tried my best to take a detached view. On the other hand, I possess certain advantages also#in having a first-hand knowledge of the important events and the fleeting impressions and sentiments they left behind on the minds of the people. It is difficult to form a proper idea of these by one who, living at a later period, has only to rely on the record of the past in order to re- construct its history. Although these reflections do not directly, concern the present Volume, indirect influence cannot altogether be ruled out. I have therefore tried to place before the reader all the relevant facts, leaving them to form their own conclusions. As the feelings and impressions of a class or community, whether justified by facts and events and reasonable or not, are of great significance in history, I have, wherever available, quoted at some length views of representative persons whose names carry some weight. (xv-xvi)
Ramesh Chandra Majumdar (4 December 1884 – 11 February 1980) was an Indian historian and professor of Indian history at the .
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Jinnah, at least in is a er life put up a brave fight. It was, however, a fight not for the’ freedom of India, except in a very qualified sense, but for the freedom of the Muslims from the tyrannical yoke of the Hindus, as he put it. He won the fight ; the cult of violence decided the issue. To what extent Gandhi s cult of non-violence may claim credit for the freedom of India is a matter of opinion. But there is no doubt that the creation of Pakistan was the triumph of violence— in its naked and most brutal form-and of the leadership of Jinnah. Nobody can reasonably doubt that India would have surely attained independence, sooner or later, even without Gandhi, but it is extremely doubtful whether there would have been a Pakistan without Jinnah. So, if we are to judge by the result alone, the events of 1946-7 testify to the superiority of violence to non-violence in practical politics, and of Jinnah to the leaders of the Congress. But this affords an illustration of the blunder that is often committed by hasty inference drawn from the immediate result, apparently flowing from a certain course of action, without weighing the force of other circumstances. It ought to serve as a corrective to those who look upon Gandhi as having wrested independence from the British by waving his magic wand of Satyagraha. In any case Jinnah stands out as the most successful political leader of the period. Whatever the Hindus might think of Jinnah, he has secured a high place in the history of the Muslim nation, a term at which we can hardly cavil after the foundation of Pakistan. He carried to its logical consummation the work that was begun by Sir Syed Ahmad. (xxviii ff)
The four-fold ramification of the Swadeshi movement industrial, educational, cultural and political—and its spread all over India unnerved the Government of India. It was not long before they realized that a local movement for removing a local grievance was being slowly, but steadily, developed into an all-India national movement against British rule. Lord Minto found it difficult to kill the hydra-headed monster let out of the basket of his predecessor. Lord Curzon.
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There can be no doubt that the architects who planned and built the were Indians. Everything in this temple from Sikhara to the basement as well as the numerous stone sculptures found in its corridors and the terra-cotta...adorning its basement and terraces, bear the indubitable stamp of Indian genius and craftsmanship...In this sense, we may take it, therefore, that the Ananda, though built in the Burmese capital, is an Indian temple."