When a movie is this bad, it's hard to adequately describe its awfulness in words. The temptation exists to write something along the lines of: "Some… - James Berardinelli

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When a movie is this bad, it's hard to adequately describe its awfulness in words. The temptation exists to write something along the lines of: "Something this horrible has to be seen to be believed." Of course, that kind of advice would lead to e-mail death threats and other assorted nasty comments from those who spend money on The Devil's Rejects. … Aside from its poor production values, horrendous acting, and ignoble morality, The Devil's Rejects isn't engaging cinema. Even if the simple act of sitting in a movie theater watching people get hacked up for 90 minutes doesn't bother you, the dullness and repetition is likely to.

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About James Berardinelli

James Berardinelli (born September 25, 1967) is an American online film critic.

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Alternative Names: ReelViews
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I don't often use the words "godawful" and "abomination" to describe a movie, preferring to reserve such terminology for extreme instances when I feel duped and mortally offended. Case in point: Bachelorette. Often with a bad film, I search for something positive or productive to say, cognizant as I am that there are real people with real feelings behind the production. That won't be happening here. When it comes to watchability, the only thing to distinguish this from Freddy Got Fingered (the turd standard for cinematic badness) is the absence of the sexual molestation of animals. And one could make a convincing argument that the sexual molestation of animals might improve Bachelorette. This possibility that this might not be the worst movie of the year is frightening to contemplate - Directed by Lesley Headland.

Short of climbing aboard a time capsule and peeling back eight and one-half decades, James Cameron's magnificent Titanic is the closest any of us will get to walking the decks of the doomed ocean liner. Meticulous in detail, yet vast in scope and intent, Titanic is the kind of epic motion picture event that has become a rarity. You don't just watch Titanic, you experience it — from the launch to the sinking, then on a journey two and one-half miles below the surface, into the cold, watery grave where Cameron has shot never-before seen documentary footage specifically for this movie.

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As vampire movies go, few are more memorable than Nosferatu, which is not only the first screen version of Dracula, but, in some ways, remains the best. Unlike many of his predecessors who dabbled in the vampire genre, Murnau was a craftsman, and the care he lavished upon this production is evident in each shot and every scene. Alongside The Cabinet of Dr. Caligari, few motion pictures have had a more profound impact upon an entire genre than Nosferatu has had upon the legion of horror movies that trailed in its wake.

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