I recognized that some times it is difficult to do graffiti in the street, but I am full of energy to do graffiti, So then I created a new style of g… - Shamsia Hassani

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I recognized that some times it is difficult to do graffiti in the street, but I am full of energy to do graffiti, So then I created a new style of graffiti, which is my own style, where I do photography from every where that I like: buildings, walls, city. And then after printing them, I am doing graffiti on the walls in the pictures with brush and acrylic paints […] I call it (Dreaming Graffiti) not digital… At the beginning of this style I did 2-3 graffiti by computer, but I couldn’t feel my art through the computer.

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About Shamsia Hassani

Shamsia Hassani (شمسیه حسنی) (born April 09, 1988) is an artist and associate professor at Kabul University.

Also Known As

Alternative Names: Shamsia Hussani شمسیه حسنی Ommolbanin Hassani
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Additional quotes by Shamsia Hassani

the reasons that I like to do graffiti are: 1- with making graffiti I want to cover all bad memories of war from people’s mind, with colors to cover all bad element of war with my graffiti’s. 2- to introduce art to people with making graffiti, cause as you know afghan people has no chance to visit some art gallery or museums, or they don’t want to go to some art exhibition, so if I do art everybody will enjoy it. In outside it is for longer time and slowly people with memorize it and it will be part of their life when every day they use the same way of that wall, it doesn’t need to ticket as well, it is colorful and bringing some change and give too much color to people’s mind. 3- I could say my words with shape to people, easily, image has more effect then word, and it’s a friendly way to fight, as I am fighting, now, for women rights as well with my art. 4- I believe there are many who forget all the tragedy women face in Afghanistan that is why I use my paintings as a mean to remind the people. I want to highlight the matter in the society, with paintings reflecting women in Burqas everywhere. And I try to show them bigger than what they are in reality, and in modern forms, in shaped in happiness, movement, maybe stronger. I try to make people look at them differently.

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I use them [music instruments] as a symbol for women to play her voice with it. She can use musical instruments to talk with people, to speak louder and [get] more attention, as she has no mouth. But this musical instrument gives her power to speak in society.

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