[Creator-owned projects] give you the chance to do your own ideas. But there's a lot of fun to be had working on characters that somebody else owns. … - Steve Dillon

It's been ironic, really, because I got into comics wanting to draw superheroes. I used to draw superheroes for fun when I was a kid but in my career, from the earliest days, I wasn't drawing superheroes. Nick Fury: Agent of SHIELD wasn't really a superhero. The first thing that I did, the Hulk, wasn't really a superhero either. If you look at the Doctor Who stuff, what I did for Warrior, then if you look at the work I did on Hellblazer and Preacher as well, that's not superheroes either. The closest I ever got to doing a superhero comic was Wolverine: Origins.

As [Garth and I] talked it over, I thought [Preacher] was a great idea for a story. I was very conscious that nothing like it had been done by a big, mainstream comic publisher before and I wondered if we’d get away with the stuff we wanted to do. As it turned out, DC, and Vertigo's Karen Berger in particular, were great. There were a few battles but, for the most part, we managed to get it done the way we wanted it.

I did a long series that I did on my own, Cry of The Werewolf. [...] I spent a whole summer drawing werewolves and there was my girlfriend and her mate sunbathing topless in the back garden, but I was there drawing werewolves. And there was nothing I could do about it because I had to do six pages a week. (laughs)