I like the heat the tenderness the edible the lusciousness the song of a single person the bathtub full of water to bathe myself beneath the water.. … - Arshile Gorky

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I like the heat the tenderness the edible the lusciousness the song of a single person the bathtub full of water to bathe myself beneath the water.. ..I like the wheat-fields the plough the apricots those flirts of the sun. But bread above all. (1942)

English
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About Arshile Gorky

Arshile Gorky (15 April 1904 – 21 July 1948), born Vostanik Manoog Adoyan, was an American abstract expressionist painter of Armenian descent, living and working in New York, where he got later strongly involved with American Surrealism. He was a very close friend of Willem de Kooning who respected him as a teacher in painting.

Also Known As

Native Name: Արշիլ Գորկի
Alternative Names: Ostanik-Manuk Adoian Arshil Gorʹkiĭ Arshile Gorky Adoian Arshil Gorky Osdanig-Manug Atoyan Arshil Gorki Adoyan Wostanig Adoyan Vosdanig Manoog Adoian Ostanik-Manuk Adoyan Arshil Gorki Ostanik-Manuk Adoyean Osdanig-Manug Atoian Vostanik-Manuk Adoian Arschille Gorky Vosdanik Adoian Arshele Gorky Vosdanig Adoian Archele Gorky Archel Gorky Archele Gorki Arshile Gorkij Adoian Gorky a. gorky
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Additional quotes by Arshile Gorky

..it was the Cubist painters who created the new magic of space and color that everywhere today confronts our eyes in new architecture and design. Since then the various branches of modern art through exhaustive experiment and research have created a vast laboratory whose discoveries unveiled for all the secrets of form, line and color..

My sweet, I do not mean to upset you in writing this, but I want to tell you that within us, as within the nature of every person's soul there is an emptiness and we constantly seek to find that and those in order to escape from being alone. This always has been so, and always the weight of loneliness is with us, and for this reason we think of this thing or that so as not to be left alone.

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Delacroix spoke of the Greek coin being built from the center out. Vermeer has painted in this way, according to the principles of mass.. .How beautifully they are drawn – Vermeer does not just make a leaf and place it in the design, he relates space and leaf. [in the painting of Vermeer: 'Allegory on the New Testament']. That drapery – it is abstract – observe how this shape [a space between a shepherd and the tree] curves around the center space while the tree counter-curves opposite it, cutting an egg shape.. ..the spaces on the carpet that carry no figuration are, in fact, shapes of vital importance in building the whole..

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