Enhance Your Quote Experience
Enjoy ad-free browsing, unlimited collections, and advanced search features with Premium.
And what was the cost of this Jim Crow? Not merely that the precious words "America" and "freedom" became suspect in the eyes of the world, but more … - Ollie Harrington
" "And what was the cost of this Jim Crow? Not merely that the precious words "America" and "freedom" became suspect in the eyes of the world, but more than that. It cost us lives. Lives of white men, of Frenchmen, Russians and Chinese-because there were many battles in this war when replacements were needed. But the American rule of war was "No Negroes allowed on the front lines" until the 92d finally got there. I listened to the Axis radio. Tokyo Rose said, and she quoted American sources, that Negroes were good enough to serve in the American Army, but they weren't good enough to pitch in the American Big League baseball. And they broadcast this not only to our own troops but also to the billion and a half colored peoples of the earth.
English
Collect this quote
About Ollie Harrington
Oliver Wendell Harrington (February 14, 1912 – November 2, 1995) was an American cartoonist and an outspoken advocate for civil rights who was opposed to racism and in the United States.
Also Known As
Birth Name:
Oliver Wendell Harrington
Alternative Names:
Oliver Harrington
•
Oliver W. Harrington
•
Oliver W. "Ollie" Harrington
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
Additional quotes by Ollie Harrington
...since V-J Day more than nine Negro veterans have been lynched and not one of the lynchers brought to justice…In every field of crime, though some escape, criminals are caught–every crime but one. For the crime of race hate and lynching there has never been a conviction in the history of the United States…To me, a layman, an agency committed to defending the lives of its citizens should spend less time finding legal reasons for not acting, and more time acting on behalf of human justice.
I wasn't really interested in doing cartoons at that time, but I had one teacher, Miss McCoy, who used to call me and the other Black pupil in the school to the front of the room and present us to the class. She'd say. "These two, being Black, belong in a waste basket." Well, there was no way of defending oneself against that. So, I began to build up a kind of rage against her. There was no way that I could have gotten back at her because if I had, it would have been much more serious than it turned out. In the end, it turned out rather beneficial to me because I began doing cartoons of Miss McCoy in my notebooks.
PREMIUM FEATURE
Advanced Search Filters
Filter search results by source, date, and more with our premium search tools.
It's alright to live in Europe drawing and painting for personal satisfaction while turning out illustrations and cartoons for European publications for porkchops, but there is something missing somehow. I'm Black, and my people are engaged in a difficult and heroic struggle for freedom. While this is a worldwide struggle of oppressed people against the injustice and savage brutality which seem to be essential weapons for the maintenance of capitalism, my personal part of that struggle seems inseparably bound to how that struggle is being waged in the United States. Although I believe that "art for art's sake" has its merits, I personally feel that my art must be involved, and the most profound involvement must be with the Black liberation struggle. My cartoon character Bootsie has been a part of that struggle for 39 years and I believe, as Langston Hughes did, that satire and humor can often make dents where sawed-off billiard sticks can't.
Loading...