They [the Paris art-critics] wish to force me into their drawing-room art, to break my spirit. No, no! I was born as a peasant and a peasant I will d… - Jean-François Millet
" "They [the Paris art-critics] wish to force me into their drawing-room art, to break my spirit. No, no! I was born as a peasant and a peasant I will die. I say what I feel. I paint things as I see them, and I will hold my ground without retreating one sabot; if necessary, I will fight for honour.
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About Jean-François Millet
Francois Millet, (October 4, 1814 – January 20, 1875) was a French painter and one of the founders of the Barbizon school in rural France. Millet is noted for his scenes of peasant farmers like in his well-known painting The Gleaners.
Also Known As
Alternative Names:
Jean François Millet
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Jean-Francois Millet
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Jean Francois Millet
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Mile
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Zhan Fransua Mille
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Mi-yeh
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François genannt Francisque Millet
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Jan Francois Millet
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jean-francois millet
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millet j. f.
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millet jean francois
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François Millet
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Millet
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millet j.f.
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Jean François Millet.
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J. F. Millet
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franqois millet
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j.f. millet
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Additional quotes by Jean-François Millet
Sir, I have completed the picture ['Les Faneurs / Haymakers', 1849] which you were kind enough to order, and have executed it with all possible care and conscientiousness. I ought to send it to the Exhibition, where it could be properly seen and judged. I pray you to be good enough to pay me the balance of 1,100 francs which is still due on this commission. My great need of money obliges me to ask you to let me have it as soon as possible. Accept, sir, the assurance of my pro- found respect - J. F. Millet. 8, Rue du Delta [Paris]'''
For the first [his very first time in Paris], I went to a little hotel, where I spent the night in a sort of nightmare, in which I saw my home, full of melancholy, with my mother, grandmother, and sister spinning in the evening, weeping and thinking of me, praying that I should escape the perdition of Paris. Then the evil demon drove me on before wonderful pictures, which seemed so beautiful, so brilliant, that it appeared to me they took fire and vanished in a heavenly cloud.. .Finally, without knowing how, I found myself [during one of his his first days in Paris] on the Pont Neuf, from which I saw a magnificent building which I thought must be the Louvre, from the descriptions I had heard of it. I went to it, and mounted the great stairway with a beating heart. At last one great object of my life was attained. I had imagined correctly what I should see. It seemed to me that I was in a world of friends [the paintings of the old masters], in a family where all that I beheld was the reality of my dreams.
[Theophile] Gautier's article is very good. I begin to feel a little more contented. His remarks about my thick colours are also very just. The critics who see and judge my pictures are not forced to know that in painting them I am not guided by a definite intention, although I do my utmost to try and attain the aim which I have in sight, independently of methods. People are not even obliged to know why it is that I work in this way, with all its faults.
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