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" "Because today we live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups...So I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms. I do not distrust their motives; I distrust their power. They have a lot of it. And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing.
Philip Kindred Dick (16 December 1928 – 2 March 1982) was an American writer, whose published works mainly belong to the genre of science fiction. Dick explored philosophical, sociological and political themes in novels with plots dominated by monopolistic corporations, authoritarian governments, and altered states of consciousness. In his later works, Dick's thematic focus tended to reflect his personal interest in metaphysics and theology.
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She took his hand, squeezed it, held it, and then, all at once, she let it drop. But the actual touch of her lingered, inside his heart. That remained. In all the years of his life ahead, the long years without her, with never seeing her or hearing from her or knowing anything about her, if she was alive or happy or dead or what, that touch stayed locked within him, sealed in himself, and never went away. That one touch of her hand.
"What you should do," she told Fat during one of his darker hours, "is get into studying the characteristics of the T-34." Fat asked what that was. It turned out that Sherri had read a book on Russion armor during World War Two. The T-34 tank had been the Soviet Union's salvation and thereby the salvation of all the Allied Powers- and, by extension, Horselover Fat's, since without the T-34 he would be speaking - not english or Latin or the koine - but German.
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