I love learning about other artists’ processes so much; I don’t know why. It’s like a magpie-collecting hobby of mine. I find it incredibly inspiring… - Andrew Garfield

So to be in line with and to join in that creativity is, I think, maybe the highest calling. I think it’s all of our callings, to whatever degree or in whatever context, in whatever corner of the garden we’re meant to tend. And we know it. We know when we’re in the right corner, you know what I mean? We can feel it. We can feel it in our bones. Our blood starts to flow, our cheeks flush, we get that feeling of spring in our bodies, and we come alive. We can feel it when we’re close to the shoreline of ourselves, and then it’s harder to identify when we don’t feel it. It’s a strange thing.

Life seems to be a perpetual practice of letting shit go. Letting go of an idea of how a thing should look, or be, or feel. And that one’s a big one [to let go of], because of course I would’ve loved my mum to have met my kids, if I’m going to have kids. And she will. In spirit. She’ll be there for it. I know she’s there, for all the big ones.

And one of the keys in what we do is we get to feel like we are extending beyond that human body, that human limitation, and we are touching something divine in what we do, if we’re lucky—or at least we’re reaching for it. But then what goes up must come down, and we have to honor the human body as well, so it’s a constant process.