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It filled me with dread – she had a reputation for being difficult. She had been headlining on the Royal Command performance the night before we were… - Martin Rushent
" "It filled me with dread – she had a reputation for being difficult. She had been headlining on the Royal Command performance the night before we were due to start. She arrived and swept through reception looking like thunder and disappeared into the studio. I thought, ‘I’m the first here, I’d better go in and introduce myself’. I walked in and I said: ‘Morning Miss Bassey, my name is Martin Rushent and I’m going to be your new engineer and co-producer’. She threw a mic stand at me. She told me to get out. She apologised afterwards, I hasten to add.
English
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About Martin Rushent
Martin Rushent (11 July 1948 – 4 June 2011) was an English record producer.
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Additional quotes by Martin Rushent
I programmed all the drums and synths, while he played all the guitars. The initial plan was just to demo his songs because he was out of his UA deal, so we pumped it to people like Island and Virgin and they loved it. It was signed to Island, but Simon Draper of Virgin heard it and called me to talk about their band, the Human League. They'd done demos of The Sound of the Crowd and Love Action in a Sheffield studio, but Simon didn't think they were getting the punch they needed. He loved the drums on Homosapien and asked me to do a track. So the band turned up at Genetic with their multi-track for The Sound of the Crowd. Simon had conned them and told them that I'd mix it! I said, 'We're going to start again and do it better'. There were a few grumbles, but by the time we'd finished, they were really pleased.
He was an extraordinary bloke. First of all he was very funny. He was straight but very camp. [He] came in and Visconte said, ‘Right, what are we doing?’. He said: ‘Well I haven’t got any material, I’ve just got one guitar riff’. So he played us this guitar riff. It sounded a bit like Chuck Berry to me but I didn’t say anything. He went out with the band and after two hours he said, ‘Right, got a song’. So we recorded it and took a few takes. He then said, ‘Right I’ve got a bit of a tune, just give me half an hour’. In 10 minutes he came back and said, ‘Right I’ve got the lyrics and got the tune’. So he’d written Get It On in 10 minutes basically. He went out there, sang it and in four or five takes we’d got it. There it was. The guy was absolutely astonishing."
He chased us all round the studio and we had to lock ourselves into another studio to prevent him getting us. He was a big guy. He came in the following morning and he was alright. I think his management had had a word and said, ‘Look this album is going really well, it’s not a good idea to frighten the life out of people who are helping you make it’. He was quite pleasant, but he never apologised.
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