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" "What are the consequences when the government, the media, and the leaders of commerce all speak with one voice? Why, it means that if you hold opinions other than the ones you are told to, you are out of step, and if so, it is best to bite your tongue and be silent. The most efficient kind of censorship isn’t the heavy-handed black inking of the secret policeman: it’s the self-censorship we impose on ourselves when we’re afraid that if we say what we think everyone around us will think us strange.
Charles David George "Charlie" Stross (born 18 October 1964 in Leeds) is a writer based in Edinburgh, Scotland. His works range from science fiction and Lovecraftian horror to fantasy.
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I’d call them dangerously loopy heretics who are well down the slippery slope to hell, Bob. A hell of their own creation, even if you don’t believe in the literal sulfur-and-brimstone variety presided over by a big red guy with horns and cloven hooves. Which these people very likely do, but they think they’re on the side of the angels, which makes them doubly bad.
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Ray is clearly anguished, Persephone realizes; he believes this stuff with all his soul and all his guts. He believes in the viral metaphor of a bronze-age rabble-rouser from the Levant, as interpreted by his syncretist followers scattered throughout the Roman Empire. He believes in heaven and hell as real, literally existing destinations you can book an airline ticket to. He believes salvation is a deterministic, card-punching exercise in holding faith in the right god; believes that there’s a coming End of Time in which his godhead will return to Earth, reading minds and separating the sheep from the goats. No need to ask why his God might prescribe eternal torture for the unbelievers, no need to engage with the problem of free will—Schiller’s eschatology is either brutally truncated or sublimely simple, depending on viewpoint. One thing it isn’t is nuanced.