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" "When we are told, in the same tone, that these people will be rewarded in “heaven” for their distress, and that “heaven” is the exact reverse of the earthly order (“the first shall be last”), we distinctly feel how the ressentiment-laden man transfers to God the vengeance he himself cannot wreak on the great. In this way, he can satisfy his revenge at least in imagination, with the aid of an other-worldly mechanism of rewards and punishments.
Max Ferdinand Scheler (August 22, 1874, Munich – May 19, 1928, Frankfurt am Main) was a German philosopher known for his work in phenomenology, ethics, and philosophical anthropology.
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But this instinctive falsification of the world view is only of limited effectiveness. Again and again the ressentiment man encounters happiness, power, beauty, wit, goodness, and other phenomena of positive life. They exist and impose themselves, however much he may shake his fist against them and try to explain them away. He cannot escape the tormenting conflict between desire and impotence. Averting his eyes is sometimes impossible and in the long run ineffective. When such a quality irresistibly forces itself upon his attention, the very sight suffices to produce an impulse of hatred against its bearer, who has never harmed or insulted him. Dwarfs and cripples, who already feel humiliated by the outward appearance of the others, often show this peculiar hatred—this hyena-like and ever-ready ferocity. Precisely because this kind of hostility is not caused by the “enemy's” actions and behavior, it is deeper and more irreconcilable than any other. It is not directed against transitory attributes, but against the other person's very essence and being. Goethe has this type of “enemy” in mind when he writes: “Why complain about enemies?—Could those become your friends—To whom your very existence—Is an eternal silent reproach?” (West-Eastern Divan). The very existence of this “being,” his mere appearance, becomes a silent, unadmitted “reproach.” Other disputes can be settled, but not this! Goethe knew, for his rich and great existence was the ideal target of ressentiment. His very appearance was bound to make the poison flow.
The “old maid” with her repressed cravings for tenderness, sex, and propagation, is rarely quite free of ressentiment. What we call “prudery,” in contrast with true modesty, is but one of the numerous variants of sexual ressentiment. The habitual behavior of many old maids, who obsessively ferret out all sexually significant events in their surroundings in order to condemn them harshly, is nothing but sexual gratification transformed into ressentiment satisfaction. Thus the criticism accomplishes the very thing it pretends to condemn.