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" "The essential is the object. Error consists in forgetting that grain, cotton, wool are vital objects and in being interested in them only because of their value in gold, their speculative value. The economic purpose is not 'to make millionaires out of gasoline' but to distribute gasoline according to demand and need. [Wall street] is an abstraction.
Joseph Fernand Henri Léger (February 4, 1881 – August 17, 1955) was a French painter, sculptor, and filmmaker. He started his art in early cubism and developed a style in which the human figure in relation to the modern times was his central aim to represent. He and his art was engaged with communism and with the worker's life.
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Kunst und Zeugnis, Dora Vallier, Zürich 1967, p. 67
The age we live in is largely – and I think mostly – 'objective', but a minority is reacting against this.. .My feeling is that I made colour – the colour plane – 'objective' in 1918, 1920 and 1921. There is a feeling of objectivity in all the great Primitives – but in 'the subject' there is no solution for the object, which has so much intrinsic value that it is 'highly explosive'; it destroys all the things around it, unless they have been designed specifically to serve as a setting for it.
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In 1942 when I was in New York, I was struck by the neon advertisements flashing all over Broadway. You are there, you talk to someone, and all of a sudden he turns blue. Then the colour fades - another one comes and turns him red or yellow. The colour – the colour of neon advertising is free; it exists in space. I wanted to do the same in my canvases.