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But I think it's particularly worrying at the moment because you can only create in an atmosphere of freedom, where you're not checking everything yo… - John Cleese
" "But I think it's particularly worrying at the moment because you can only create in an atmosphere of freedom, where you're not checking everything you say critically before you move on. What you have to be able to do is to build without knowing where you're going because you've never been there before. That's what creativity is—you have to be allowed to build. And a lot of comedians now are sitting there and when they think of something, they say something like, 'Can I get away with it? I don't think so. So and so got into trouble, and he said that, oh, she said that.' You see what I mean? And that's the death of creativity. So I would say at the moment, this is a difficult time, particularly for young comedians, but you see, my audience is much older, and they're simply not interested in most of the woke attitudes. I mean, they just think that you should try and be kind to people and that's no need to complicate it, you know?
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About John Cleese
John Marwood Cleese (born 27 October 1939) is an English comedian and actor best known for being one of the members of the comedy group Monty Python and for co-writing the TV series Fawlty Towers in which he played Basil Fawlty.
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John Marwood Cleese
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Additional quotes by John Cleese
Solemnity, I don't know what it's for. I mean, what is the point of it? The two most beautiful memorial services that I've ever attended both had a lot of humor. It somehow freed us all and made the services inspiring and cathartic. But solemnity, it serves pomposity. The self important always know at some level of their consciousness that their egotism is going to be punctured by humor. That's why they see it as a threat! And so, dishonestly, they pretend that their deficiency makes their views more substantial.
You see, you could never do a sketch like that these days. The audience is too uninformed. I blame the Americans. Nation of obese, violent, pig-ignorant, bible-thumping morons contaminating world culture. That’s why I spend most of my time here in France. … Beautiful, isn’t it? Just look at those olive trees. [Interviewer: This is Santa Barbara.]
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I greatly admire first-class mimics’ super-sensitive powers of observation, the extraordinary accuracy with which they observe vocal production, inflexions, rhythms of speech, facial expressions and body language, all those tiny, unique traits which they can then reproduce so precisely. But I also can’t help wondering whether they are, unconsciously, observing others closely in the hope they can find something there that they can “borrow” and incorporate into their own personality structure, to strengthen their sense of self. Perhaps it’s an extreme form of the desire most people display early in their lives to find role models. Of course, once impersonators have developed this ability, they are rewarded by the delight they produce in an audience, whether they are at a party with friends, or earning a living on television, so they have no reason to stop, even though its original purpose has never really been accomplished.
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