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"If people throw up to us our works of fiction in which we write about people who are soft, weak, cowardly, and sometimes even downright bad, it's not be. cause these people are soft, weak, cowardly, or bad; because if we were to say, as Zola did, that they are that way because of heredity, the workings of environment, society, because of biological or psychological determinism, people would be reassured. They would say, "Well, that's what we're like, no one can do
anything about it." But when the existentialist writes about a coward, he says that this coward is responsible for his cowardice. He's not like that because he has a cowardly heart or lung or brain; he's not like that on account of his physiological make-up; but he's like that because he has made himself a coward by his acts. There's no such thing as a cowardly constitution; there are nervous constitutions; there is poor blood, as the common people say, or strong constitutions. But the man whose blood is poor is not a coward on that account, for what makes cowardice is the act of renouncing or yielding. A constitution is not an act; the coward is defined on the basis of the acts he performs. People feel, in a vague sort of way, that this coward we're talking about is guilty of being a coward, and the thought frightens them. What people would like is that a coward or a hero be born that way."
Jean-Paul Charles Aymard Sartre (21 June 1905 – 15 April 1980), normally known simply as Jean-Paul Sartre, was a French existentialist philosopher, dramatist and screenwriter, novelist, and critic. He had an enduring personal relationship with fellow philosopher Simone de Beauvoir.
Biography information from Wikiquote
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I am beginning to believe that nothing can ever be proved. These are honest hypotheses which take the facts into account: but I sense so definitely that they come from me, and that they are simply a way of unifying my own knowledge. Not a glimmer comes from Rollebon's side. Slow, lazy, sulky, the facts adapt themselves to the rigour of the order I wish to give them; but it remains outside of them. I have the feeling of doing a work of pure imagination.
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