Ignorance is fatal. - Ray Bradbury

We poisoned it with laughter. All around within it we rose, we fell, we rose again, mystified by Fate, hysterical with chance. We fired our laughs like cannons at its heart!

"Tom," said Douglas, "just promise me one thing, okay?"
"It's a promise. What?"
"You may be my brother and maybe I hate you sometimes, but stick around, all right?"
"You mean you'll let me follow you and the older guys when you go on hikes?"
"Well . . . sure . . . even that. What I mean is, don't go away, huh? Don't let any cars run over you or fall of a cliff."
"I should say not! Whatta you think I am, anyway?"
"'Cause if worst comes to worst, and both of us are real old — say forty or forty-five some day — we can own a gold mine out West and sit there smoking corn silk and growing bears."
"Growing beards! Boy!"
"Like I say, you stick around and don't let nothing happen."
"You can depend on me," said Tom.
"It's not you I worry about," said Douglas. "It's the way God runs the world."
Tom thought about this for a moment.
"He's all right, Doug," said Tom. "He tries."

Three things are in your head: First, everything you have experienced from the day of your birth until right now. Every single second, every single hour, every single day. Then, how you reacted to those events in the minute of their happening, whether they were disastrous or joyful. Those are two things you have in your mind to give you material. Then, separate from the living experiences are all the art experiences you’ve had, the things you’ve learned from other writers, artists, poets, film directors, and composers. So all of this is in your mind as a fabulous mulch and you have to bring it out. How do you do that? I did it by making lists of nouns and then asking, What does each noun mean? You can go and make up your own list right now and it would be different than mine. The night. The crickets. The train whistle. The basement. The attic. The tennis shoes. The fireworks. All these things are very personal. Then, when you get the list down, you begin to word-associate around it. You ask, Why did I put this word down? What does it mean to me? Why did I put this noun down and not some other word? Do this and you’re on your way to being a good writer. You can’t write for other people. You can’t write for the left or the right, this religion or that religion, or this belief or that belief. You have to write the way you see things.