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" "It's been on my mind – what would something be like if it were unbalanced? It's been a vexing question for a long time. But it took the experience of working with radical kinds of symmetry, not just a rectangle, but a diamond shape, as well as extreme extensions of shapes, before I finally came to the idea of everything being unbalanced, nothing vertical, nothing horizontal, nothing parallel. I came to the fact that unbalancing has its own order. In a peculiar way, it can still end up feeling symmetrical. I don't know but what the very nature of our response to art is experienced symmetrically.
Kenneth Noland (10 April 1924 – 5 January 2010) was an American abstract painter known for his Color Field works, although in the 1950's he was thought of as an abstract expressionist and in the early 1960's he was considered a minimalist painter. Noland helped establish the Washington Color School movement. His work was early influenced by Helen Frankenthaler and her so-called soak-method.
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These things [cutting, cropping and shaping] always happen in strange ways. You can say after the fact what you're doing, but, believe me, you can't project it ahead. It has to be worked through before you can recognize what it was that you were looking for. It's a search; it's not like getting a brainstorm.. .It's work, yes; it comes out of the practice of painting, the practice of your art.
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