I keep wondering if these days it’s possible to find the foundations of a new story that’s universal, comprehensive, all-inclusive, rooted in nature,… - Olga Tokarczuk

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I keep wondering if these days it’s possible to find the foundations of a new story that’s universal, comprehensive, all-inclusive, rooted in nature, full of contexts and at the same time understandable.

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About Olga Tokarczuk

Olga Nawoja Tokarczuk (born 29 January 1962) is a Polish writer, activist and public intellectual. She is one of the most critically acclaimed and successful authors of her generation in Poland; in 2019, she was awarded the 2018 Nobel Prize in Literature as the first Polish female prose writer. For her novel Flights, Tokarczuk has been awarded the 2018 Man Booker International Prize.

Also Known As

Pen Names: Natasza Borodin
Native Name: Olga Nawoja Tokarczuk

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Additional quotes by Olga Tokarczuk

The climate emergency and the political crisis in which we are now trying to find our way, and which we are anxious to oppose by saving the world have not come out of nowhere. We often forget that they are not just the result of a twist of fate or destiny, but of some very specific moves and decisions―economic, social, and to do with world outlook (including religious ones). Greed, failure to respect nature, selfishness, lack of imagination, endless rivalry and lack of responsibility have reduced the world to the status of an object that can be cut into pieces, used up and destroyed.

I wrote a lot of short stories. I’m still interested in this form and I collect ideas for stories on an ongoing basis, even though I’ve recently developed as a novelist. But my fascination with storytelling doesn’t end. I believe it is a highly sublime, very difficult literary form. Few writers can write a good short story. Sometimes I think it’s easier to write a novel than a short story with a good solid ending. I appreciate this form very much as a reader, too; I’ve loved collections, anthologies of stories since I was a child.

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Perhaps in order not to drown in the multiplicity of titles and last names we began to divide literature’s leviathan body into genres, which we treat like the various different categories of sports, with writers as their specially trained players.

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