One, a poet, went babbling like a fountain Through parks. All were jokes to children. All had the pale unshaven stare of shuttered plants Exposed to … - Stephen Spender

Critics of visual arts and of music describe in words — that is to say, a system of signs other than those made by brushes on canvas or chisels into stone or notes of music — those characteristics of painting or sculpture or music which can be described or analysed. Visual artists and composers can disregard critics on the ground that the medium of verbal criticism bears so indirect a relation to the medium in which they make something. Poets are in a different situation. With the development of so-called scientific methods of criticism they are made ever conscious that criticism of poetry is in the same medium of work as the art which they practise. “Close analysis” is useful to critics and readers. But for the poet there is the danger of disintegration of poetry into paraphrase, examination of technique, influences, all analysed in the language of criticism.

Near the snow,near the sun , in the highest field
See how those names are feted by the wavering grass,
And by the streamers of white cloud,
And whispers of wind in the listening sky;
The names of those who in their lives have fought for life,
Who wore at their hearts the fire's centre.
Born of the sun they traveled a short while towrads the sun.
And left the vivid air signed with their honour.

In the last sweep of love, they pass over fields Behind the aerodrome, where boys play all day Hacking dead grass: whose cries, like wild birds Settle upon the nearest roofs But soon are hid under the loud city.